Новинки Шарлотты Филл

Opposing styles in 1960s design
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.
Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned.
The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and the industrially manufactured, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Panton, Sottsass, Paolozzi, Parisi, Sarpaneva, and Lomazzi did what they could to oblige.

Дизайн, попросту говоря, это решение проблем. А более конкретно – это междисциплинарный подход к решению тех проблем, которые отражают нужды и желания человечества. История дизайна – от доисторических каменных орудий до новейших цифровых гаджетов – это история человеческого новаторства и изобретательности, улучшающих качество нашей повседневной жизни.

В своей «Истории дизайна» ведущие эксперты Шарлотта и Питер Филл прослеживают эволюцию дизайна, раскрывая жизненную важность этой уникальной и повсеместной творческой деятельности и, что очень важно, ее будущей роли в обществе.

Прекрасно иллюстрированная, «История дизайна» – первый всесторонний обзор удивительной, многогранной истории дизайна от древнейших времен вплоть до сегодняшних дней. Эта книга необходима каждому, кто интересуется дизайном, его историей и его будущим.

Design, simply put, is problem-solving. More specifically, it is a multi-disciplined approach to resolving those problems that has reflected mankind’s needs and desires. From prehistoric stone tools to the latest digital gadgets, the history of design is the history of human innovation and resourcefulness improving our everyday lives.

In The Story of Design leading design historians Charlotte and Peter Fiell trace the evolution of design, revealing the real world importance of this unique and ubiquitous creative activity and — crucially — its future role in society. Beautifully illustrated, The Story of Design is the first ever comprehensive account of the fascinating, multi stranded story of design, from its earliest beginnings right up to the present day. It is essential reading for anyone interested in design, its history and its future.

William Morris was one of the great figures of the 19th century-a pioneer of modern design. His work as a visionary designer, manufacturer, political activist and social reformer had a profound influence on his contemporaries and on subsequent generations. As founder and owner of Morris & Co. he revitalised the craft tradition and established a simplified, popular and highly aesthetic look.This richly illustrated overview focuses on all aspects of Morris's design work-interiors, stained glass, furniture, tiles, wallpapers, embroidery, textiles, tapestries, carpets, and calligraphy-while detailing the events of his remarkable life.

Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.



This fresh reprint of the 1970s domus coverage brings together the most important features from an era marking seismic changes in architecture and design. It was a time when individualism gained momentum as a novel style, and we began to notice the first postmodernist tendencies. Faced with the global energy crisis, architects and designers imbued their methods with a new ecological awareness.


For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those groundbreaking projects and practitioners that made the cut include Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, the modernist structures by Foster Associates and the Centre Georges Pompidou by Renzo Piano and Richard Rogers.



domus distilled

- Seven volumes spanning 1928 to 1999


- Over 6,000 pages featuring influential projects by the most important designers and architects


- Original layouts and all covers, with captions providing navigation and context


- New introductory essays by renowned architects and designers


- Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian


- A comprehensive index in each volume listing both designers’ and manufacturers’ names

Designers from Denmark, Sweden, Finland, Norway and Iceland have long pursued the shared goal of social equality through design, believing that well-designed everyday goods not only enhance daily life, but should also be the birthright of all. Modern Scandinavian Design is the ultimate guide to the distinctive design tradition arising out of these five Nordic countries since 1925.

Bestselling design authors Charlotte and Peter Fiell have extensively researched all aspects of the aesthetic, along with contributions from Magnus Englund of Skandium. With sections on architecture, interiors, furniture, lighting, glass, ceramics, metalwork, woodenware, plastics, textiles, jewellery and graphic design, this will be an indispensable resource for any design enthusiast, collector or casual reader seeking inspiration for their home.

Featuring over 450 original photographs and illustrations Fashion in the '70s provides an extraordinary overview of this period of mini-skirts, maxi-dresses, hot pants, flared jeans, platform shoes, wrap dresses and bondage trousers. From haute couture to ready-to-wear, this book comprehensively documents the season-by-season fashions of the Seventies from hippy chic and peasant fashions to glam rock, slinky disco and rough-and-ready punk.

На протяжении веков дизайнеры и инженеры определяли облик будущего и то, как оно будет устроено. Неустанно ведя исследования, разрабатывая и развивая дизайн, они решали важнейшие мировые проблемы.
Джеймс Дайсон, инженер-дизайнер и основатель компании Dyson
Глубочайшее проникновение в самую суть дизайна, ставящее его в центр человеческого существования.
Росс Лавгроув, промышленный дизайнер

Дизайн, попросту говоря, это решение проблем. А более конкретно – это междисциплинарный подход к решению тех проблем, которые отражают нужды и желания человечества. История дизайна – от доисторических каменных орудий до новейших цифровых гаджетов – это история человеческого новаторства и изобретательности, улучшающих качество нашей повседневной жизни. В своей «Истории дизайна» ведущие эксперты Шарлотта и Питер Филл прослеживают эволюцию дизайна, раскрывая жизненную важность этой уникальной и повсеместной творческой деятельности и, что очень важно, ее будущей роли в обществе.
Прекрасно иллюстрированная, «История дизайна» – первый всесторонний обзор удивительной, многогранной истории дизайна от древнейших времен вплоть до сегодняшних дней. Эта книга необходима каждому, кто интересуется дизайном, его историей и его будущим.

Столетиями менялись представления человека о красоте и комфорте. В XXI веке с появлением новых технологий и материалов эти изменения происходят столь стремительно, что едва ли завтра вспомнится то, что будоражит воображение сегодня. Дизайнеры, в вечном поиске новых решений, изменили сами требования к окружающим нас предметам - их эстетике, стилю, функциональности, безопасности... ИСТОРИЯ ДИЗАЙНА раскрывает все нюансы сложного и яркого пути зарождения и развития идеи - дерзкой попытки дизайнеров создать наперекор всему новый мир, где возможности человека ограничены лишь его фантазией.

Прически отражают нашу личность. Искусство их создания – оригинальная культурная концепция, составляющие которой – творческая индивидуальность, персональная самоидентификация, политические взгляды и социально-экономический статус. На протяжении веков прическа была неотъемлемой частью жизни женщины и, украшая ее образ, расширяла само понятие женственности. Как заметил Мартин Лютер, "волосы – богатейшее украшение женщины". Удивительная история этого украшения представлена на страницах нашей книги. Вы познакомитесь с работами великих парикмахеров прежних дней – Александра де Пари, Марселя Грато, Видала Сассуна, Леонарда Льюиса, Рэймонда…

Taschen's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future - between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

The Magic Lantern was the forerunner of the modern slide projector and part of the wonderful tradition of optical projection alongside the Camera Obscura, Shadow Shows and the Magic Mirror. Long before cameras became commonplace, Magic Lanterns were used to capture images that could then be shown to an audience, to entertain and educate. Intrepid photographers would travel the world to document its people and places, from the ancient temples and tombs of Egypt to the factories and furnaces of industrialized Germany in the 19th century. A devotee of the Magic Lantern, Charlotte Fiell has painstakingly trawled through thousands of slides to put together a collection of 900 images that depict a pre-globalized world where regional customs and cultures were as distinctive as they were diverse, while the renowned geographical historian, James Ryan has assessed their cultural relevance and historical context. Here are depicted the bustling streets of Victorian London and the strangely tourist-free Taj Mahal of the 1890s. Sariclad carpet weavers in India gaze perplexed at the camera while giant statues of the Buddha smile enigmatically in Burma. These hand-coloured images are beautiful yet poignant, evoking a world now lost in the mists of time.

An early version of the slide projector and an immediate predecessor of narrative cinema, the magic lantern provided the lens through which late-nineteenth century Europe and America viewed and imagined the world. Magic lantern slide shows were a popular,

This compendium showcases the extraordinary cutting-edge work of 100 of the world's most progressive graphic designers, from the hard-hitting political messages of Jonathan Barnbrook to the lyrical digital compositions of Peter Saville to the iconoclastic imagery of Stefan Sagmeister. Alongside the array of visually stunning and thought-provoking advertisements, CD covers, posters, packaging, websites, and corporate identities are texts by each designer expressing his or her individual approach to graphic design practice as well as personal insights into the motivations that lie behind the work. An accompanying introductory essay highlights the current issues surrounding graphic design practice, from the ascendancy of digital tools to the amorality of consumerism. By presenting a provocative survey of the most experimental and forward-looking graphic design from around the globe, this book provides a unique and totally unforgettable snapshot of where the discipline stands today and hopefully offers directions for its future.
Contemporary Graphic Design is absolutely essential to anyone interested in the power of images.

If you take even the slightest interest in the design of your toothbrush, the history behind your washing machine, or the evolution of the telephone, you'll take an even greater interest in this new book. Individual designers and design firms can be referenced directly via the A-Z of Industrial Design section. Here, you'll find the likes of Enzo Ferrari, Philippe Starck, Zanussi and Apple Computer, among many others. Exploding with color, aesthetic, and style, "Industrial Design" is both informative and fun. You'll have a hard time putting it down. This is an invaluable reference book!

Packing a powerful visual punch. Contemporary avant-garde graphic design. This compendium showcases the extraordinary cutting-edge work of 100 of the world's most progressive graphic designers, from the hard-hitting political

At last: a highly affordable, user-friendly handbook on design that covers all the major concepts, materials, and styles over the last 150 years with concise, easy-to-understand definitions. And as you'd expect from Taschen, it’s packed cover to cover with outstanding images too. An absolutely indispensable book for all design fans!

Covering a vast range of cutting-edge graphics, with politically charged anti-commercial work placed in the same context as Nike's latest ads, this book presents a sweeping look at today's most progressive graphic currents - from signage at packaging to branding and web design.

More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era.
From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant garde armchairs.
The book, a slightly abbreviated version of our classic title 1000 Chairs, devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors.

Издание на английском, немецком, французском языках.