Хелен Ойейеми5.0 Influenced by the mysterious place gingerbread holds in classic children's stories, beloved novelist Helen Oyeyemi invites readers into a delightful tale of a surprising family legacy, in which the inheritance is a recipe.
Perdita Lee may appear to be your average British schoolgirl; Harriet Lee may seem just a working mother trying to penetrate the school social hierarchy; but there are signs that they might not be as normal as they think they are. For one thing, they share a gold-painted, seventh-floor walk-up apartment with some surprisingly verbal vegetation. And then there's the gingerbread they make. Londoners may find themselves able to take or leave it, but it's very popular in Druhástrana, the far-away (or, according to many sources, non-existent) land of Harriet Lee's early youth. The world's truest lover of the Lee family gingerbread, however, is Harriet's charismatic childhood friend Gretel Kercheval —a figure who seems to have had a hand in everything (good or bad) that has happened to Harriet since they met.
Decades later, when teenaged Perdita sets out to find her mother's long-lost friend, it prompts a new telling of Harriet's story. As the book follows the Lees through encounters with jealousy, ambition, family grudges, work, wealth, and real estate, gingerbread seems to be the one thing that reliably holds a constant value. Endlessly surprising and satisfying, written with Helen Oyeyemi's inimitable style and imagination, it is a true feast for the reader.
Рион Амилкар Скотт0.0 Established by the leaders of the country’s only successful slave revolt in the mid-nineteenth century, Cross River still evokes the fierce rhythms of its founding. In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.
Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.
Jeffrey Colvin0.0 Structured as a triptych, Africaville chronicles the lives of three generations of the Sebolt family—Kath Ella, her son Omar/Etienne, and her grandson Warner—whose lives unfold against the tumultuous events of the twentieth century from the Great Depression of the 1930s, through the social protests of the 1960s to the economic upheavals in the 1980s.
A century earlier, Kath Ella’s ancestors established a new home in Nova Scotia. Like her ancestors, Kath Ella’s life is shaped by hardship—she struggles to conceive and to provide for her family during the long, bitter Canadian winters. She must also contend with the locals’ lingering suspicions about the dark-skinned “outsiders” who live in their midst.
Kath Ella’s fierce love for her son, Omar, cannot help her overcome the racial prejudices that linger in this remote, tight-knit place. As he grows up, the rebellious Omar refutes the past and decides to break from the family, threatening to upend all that Kath Ella and her people have tried to build. Over the decades, each successive generation drifts further from Africaville, yet they take a piece of this indelible place with them as they make their way to Montreal, Vermont, and beyond, to the deep South of America.
As it explores notions of identity, passing, cross-racial relationships, the importance of place, and the meaning of home, Africaville tells the larger story of the black experience in parts of Canada and the United States. Vibrant and lyrical, filled with colorful details, and told in a powerful, haunting voice, this extraordinary novel—as atmospheric and steeped in history as The Known World, Barracoon, The Underground Railroad, and The Twelve Tribes of Hattie—is a landmark work from a sure-to-be major literary talent.
Рон А. Остин0.0 Austin’s semi-autobiographical, linked story collection follows the misadventures of Avery Colt as he struggles to survive in North St. Louis alongside his family. Learning the best way to slaughter a goat, rebuilding his family’s corner market, and reckoning the weight of a revolver are a few of the challenges Avery faces. As he matures through each page, Avery takes control of his circumstances and attempts dangerous feats of alchemy. Charged with urgency and emotion, Austin’s prose faithfully renders a community determined to overcome crisis with strength, dark humor, and plenty of heart.
Sion Dayson0.0 It’s 1977. Bannen, Georgia, nestled amid pine forests, is rife with contrasts: natural beauty and racial tension, small-town charm and long-term poverty. An unsettling place for a Black man who fled it years ago and has since traveled the world.
But Greer Michaels has to come home, to care for his dying mother.
And that means he’ll have to reckon with the devastating secret that drove him out in the first place.
Greer’s story is intertwined with those of the people around him: His mother, Elizabeth, who once had a dazzling singing voice but fell silent years ago. Their neighbor Esse, who has turned to religion after her own traumatic past. Esse’s teenaged daughter, Ceiley, an insatiable reader with a burning curiosity about life beyond Bannen’s town limits.
Written in spare and lyrical prose, AS A RIVER moves back and forth across decades, evoking the mysterious play of memory as it touches upon shame and redemption, despair and connection. An exploration of family secrets rooted in the turbulent history of the segregated South, AS A RIVER is ultimately about our struggles to understand each other, and the stories we tell ourselves in order to survive.
Ladan Osman0.0 Exiles of Eden looks at the origin story of Adam, Eve, and their exile from the Garden of Eden, exploring displacement and alienation from its mythological origins to the present. Steeped in Somali narrative tradition yet formally experimental, Osman's poems give voice to the experiences and traumas of displaced people over multiple generations. The characters in these poems encounter exile's strangeness while processing the profoundly isolating experience of knowing that that once you are sent out of Eden, you can't go back.
Альберт Вудфокс5.0 FINALIST FOR THE NATIONAL BOOK AWARD IN NONFICTION
Solitary is the unforgettable life story of a man who served more than four decades in solitary confinement―in a 6-foot by 9-foot cell, 23 hours a day, in notorious Angola prison in Louisiana―all for a crime he did not commit. That Albert Woodfox survived was, in itself, a feat of extraordinary endurance against the violence and deprivation he faced daily. That he was able to emerge whole from his odyssey within America’s prison and judicial systems is a triumph of the human spirit, and makes his book a clarion call to reform the inhumanity of solitary confinement in the U.S. and around the world.
Arrested often as a teenager in New Orleans, inspired behind bars in his early twenties to join the Black Panther Party because of its social commitment and code of living, Albert was serving a 50-year sentence in Angola for armed robbery when on April 17, 1972, a white guard was killed. Albert and another member of the Panthers were accused of the crime and immediately put in solitary confinement by the warden. Without a shred of actual evidence against them, their trial was a sham of justice that gave them life sentences in solitary. Decades passed before Albert gained a lawyer of consequence; even so, sixteen more years and multiple appeals were needed before he was finally released in February 2016.
Remarkably self-aware that anger or bitterness would have destroyed him in solitary confinement, sustained by the shared solidarity of two fellow Panthers, Albert turned his anger into activism and resistance. The Angola 3, as they became known, resolved never to be broken by the grinding inhumanity and corruption that effectively held them for decades as political prisoners. He survived to give us Solitary, a chronicle of rare power and humanity that proves the better spirits of our nature can thrive against any odds.
Клайд Форд0.0 In this thought-provoking and heartbreaking memoir, an award-winning writer tells the story of his father, John Stanley Ford, the first black software engineer at IBM, revealing how racism insidiously affected his father’s view of himself and their relationship.
In 1947, Thomas J. Watson set out to find the best and brightest minds for IBM. At City College he met young accounting student John Stanley Ford and hired him to become IBM’s first black software engineer. But not all of the company’s white employees refused to accept a black colleague and did everything in their power to humiliate, subvert, and undermine Ford.
Yet Ford would not quit. Viewing the job as the opportunity of a lifetime, he comported himself with dignity and professionalism, and relied on his community and his "street smarts" to succeed. He did not know that his hiring was meant to distract from IBM’s dubious business practices, including its involvement in the Holocaust, eugenics, and apartheid.
While Ford remained at IBM, it came at great emotional cost to himself and his family, especially his son Clyde. Overlooked for promotions he deserved, the embittered Ford began blaming his fate on his skin color and the notion that darker-skinned people like him were less intelligent and less capable—beliefs that painfully divided him and Clyde, who followed him to IBM two decades later.
From his first day of work—with his wide-lapelled suit, bright red turtleneck, and huge afro—Clyde made clear he was different. Only IBM hadn’t changed. As he, too, experienced the same institutional racism, Clyde began to better understand the subtle yet daring ways his father had fought back.
Саидия Хартман0.0 A breathtaking exploration of the lives of young black women in the early twentieth century.
In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.
In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.
Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.
Ben Crump0.0 Genocide—the intent to destroy in whole or in part, a group of people.
In Open Season, award-winning attorney Ben Crump exposes a heinous truth: Whether with a bullet or a lengthy prison sentence, America is killing black people and justifying it legally. While some deaths make headlines, most are personal tragedies suffered within families and communities. Worse, these killings are done one person at a time, so as not to raise alarm. While it is much more difficult to justify killing many people at once, in dramatic fashion, the result is the same—genocide.
Taking on such high-profile cases as Trayvon Martin, Michael Brown, and a host of others, Crump witnessed the disparities within the American legal system firsthand and learned it is dangerous to be a black man in America—and that the justice system indeed only protects wealthy white men.
In this enlightening and enthralling work, he shows that there is a persistent, prevailing, and destructive mindset regarding colored people that is rooted in our history as a slaveowning nation. This biased attitude has given rise to mass incarceration, voter disenfranchisement, unequal educational opportunities, disparate health care practices, job and housing discrimination, police brutality, and an unequal justice system. And all mask the silent and ongoing systematic killing of people of color.
Open Season is more than Crump’s incredible mission to preserve justice, it is a call to action for Americans to begin living up to the promise to protect the rights of its citizens equally and without question.
Dani McClain0.0 What black mothers can teach us about raising happy, free, and fearless children.
"Mama exhorted her children at every opportunity to 'jump at the sun. We might not land on the sun, but at least we would get off the ground.'"-Zora Neale Hurston
A longtime reporter on race, reproductive justice, policy and politics, Dani McClain is now also the mother of a baby girl. Like all first time mothers, she has countless questions about raising her child to be ethical and kind, but also to be healthy, happy, and safe in what she, as a black woman, knows to be an unjust, even hostile society to people of color.
In Jump at the Sun, McClain interviews other mothers and experts, asking the tough, scary questions, but also celebrating the joys of motherhood and hope that children bring. Following a child's development from infancy to toddlerhood through early childhood and the teenage years, the book touches on everything from the importance of creativity and the imagination to managing a functioning relationship with authority and the law. McClain shows that how we parent, perhaps even more importantly than how we participate in direct action and advocacy, will determine how we survive these turbulent times.
Дэймон Янг0.0 From the cofounder of VerySmartBrothas.com, and one of the most read writers on race and culture at work today, a provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America
For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant.
What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him.
It’s a condition that’s sometimes stretched to absurd limits, provoking the angst that made him question if he was any good at the “being straight” thing, as if his sexual orientation was something he could practice and get better at, like a crossover dribble move or knitting; creating the farce where, as a teen, he wished for a white person to call him a racial slur just so he could fight him and have a great story about it; and generating the surreality of watching gentrification transform his Pittsburgh neighborhood from predominantly Black to “Portlandia . . . but with Pierogies.”
And, at its most devastating, it provides him reason to believe that his mother would be alive today if she were white.
From one of our most respected cultural observers, What Doesn’t Kill You Makes You Blacker is a hilarious and honest debut that is both a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.
